Exhibitions

A fine art exhibition by in a white wall gallery

The Artist List

Stevenson Gallery, Cape Town, South Africa

2024

STEVENSON is proud to present The Artist List, a group exhibition comprising singular works by each of our represented artists, marking twenty years of the gallery's existence.

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A fine art exhibition by Odili Donald Odita in a white wall gallery

Degrees of Separation

David Kordansky Gallery, Los Angeles, CA

2023

Degrees of Separation features a group of new paintings in which Odita poses pointed questions about the meaning and perception of darkness in a variety of social and aesthetic contexts.

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A fine art exhibition by Odili Donald Odita in a white wall gallery

Windows

Stevenson Gallery, Amsterdam, Netherlands

2023

STEVENSON is pleased to present Windows, a solo exhibition by Odili Donald Odita. For his first exhibition in Amsterdam, the artist presents a series of new small-scale paintings that reflect the geometric abstraction that characterises his practice.

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A fine art exhibition by Odili Donald Odita in a white wall gallery

Burning Cross

Jack Shainman Gallery, New York, NY

2023

The premise of this exhibition stems from the idea of trust, or the lack thereof, in American life.

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A fine art exhibition by Odili Donald Odita in a white wall gallery

Mirror

Jack Shainman Gallery, New York, NY

2020

MIRROR - a reflective surface that casts back a clear image. In life, the only face that you will never actually see is your own. This is the beginning of an inter-relationship between figuration and abstraction. It is also a space of discourse between the notions of objectification and the imagination.

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A fine art exhibition by Odili Donald Odita in a white wall gallery

Other World

Stevenson Gallery, Cape Town, South Africa

2018

STEVENSON is pleased to present Other World, a solo exhibition of new paintings by Odili Donald Odita - his fourth with the gallery.

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A fine art exhibition in a white wall gallery

A Painting Today

Stevenson Gallery

2017

A Painting Today proposes an encounter with painting, the most traditional of media, filtered through the contemporary logic of Instagram. Because of social media, the most common way to view pictures today is sequentially. This has triggered a fundamental shift in how we think about images, emphasising their place in the fourth dimension, time, over a timeless two-dimensional existence.

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